Figure of Amida Buddha

The court culture of the late Heian period (794–1185) favoured a style of religious sculpture characterised by refinement and tranquillity. From the mid-10th century onwards, sculptures started to be made with several pieces of timber, which allowed more delicate carving. The use of inset rock crystal eyes further enhanced its realism.

Although images of Amida Buddha had been introduced into Japan in the 7th century, it was only in the late 10th century that this divinity gained appeal. The message of Amida, Lord of the Western Paradise, was one of salvation through faith, a path attainable to all, and one that challenged the elitism of the more esoteric rituals of traditional Buddhist sects.